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A stolen Banksy. A defaced painting. A guest who has had three glasses of champagne walking too close to a sculpture. Security for art galleries and exhibition spaces face a kind of risk profile that most general security firms simply are not built to handle. The stakes are higher, the work is delicate, and the

If you picture a close protection officer, you probably picture a tall figure in a black suit with an earpiece, standing behind someone famous, looking serious. That image is not exactly wrong. It is just a very small slice of the job. The work that actually keeps a principal safe almost never happens in front

Event security in the UK has changed more in the last eighteen months than in the decade before it. Public attendance is back to pre pandemic levels. Crowd safety has become a board level conversation after high profile incidents internationally. And from April 2026, the statutory guidance for Martyn’s Law has been published, signalling that